{"id":16243,"date":"2019-12-03T14:20:52","date_gmt":"2019-12-03T13:20:52","guid":{"rendered":"https:\/\/www.chateaudefontainebleau.fr\/become-a-sponsor-chateau-de-fontainebleau\/completed-projects\/allegory-of-water-masterpiece-by-albano\/"},"modified":"2025-02-27T17:01:07","modified_gmt":"2025-02-27T16:01:07","slug":"allegory-of-water-masterpiece-by-albano","status":"publish","type":"page","link":"https:\/\/www.chateaudefontainebleau.fr\/en\/become-a-patron-chateau-de-fontainebleau\/completed-projects\/allegory-of-water-masterpiece-by-albano\/","title":{"rendered":"Allegory of Water, a masterpiece by Albano"},"content":{"rendered":"\t\t
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These two works of exceptional quality were painted by Albano for Jacques Le Veneur, Count of Carrouges, a French art connoisseur who was a close friend of the artist and godfather to his second son in Bologna, in 1625. At the death of Jacques Le Veneur in 1653, the three paintings by Albano appeared in the gallery of the Ch\u00e2teau de Carrouges (Orne), which he had acquired in 1634: in addition to the two works currently held in Fontainebleau, there was Neptune and Amphitrite, or Allegory of Water. The first two, Cybele and the Seasons and Apollo and Mercury, later entered the collection of Andr\u00e9 Le N\u00f4tre who gave them to the king with part of his collection in 1693.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Remaining in the royal collections until the Revolution, they then were moved to the Louvre Museum where they were exhibited from 1816 onwards before being loaned to Fontainebleau. Neptune and Amphitrite, the third painting, had a very different fate. Inventoried with the two other paintings at Carrouges in 1653, it did not reappear until nearly a century later in the collection of Jacques-Antoine Crozat, the Marquis of Thugny, who died in 1751. It was then passed on to Pierre-Louis-Paul Randon de Boisset, an equally illustrious Parisian art connoisseur, and, when it was sold after his death (1777), it was acquired by the Count of Antoine-Jean-Baptiste Dutartre, who kept it until his death in 1804: it was then considered \u2018[the] richest and most graceful composition known by this amiable painter\u2019. Purchased in 1805 by the merchant Lafontaine on behalf of Lucien Bonaparte, the brother of Emperor Napoleon I, it came into the possession of King William II of the Netherlands in the 19th century and then passed through various English collections<\/sup>.<\/p>\n

Having remained inaccessible for a long time, Neptune and Amphitrite by Albano reappeared at Christie\u2019s in London on the 29th of October 1999. Acquired by an American collector, it was put up for sale again in 2008 and declared a \u2018work of major heritage interest\u2019 paving the way for its return to France and its inclusion in the national collections.<\/p>\n

Put up for sale at a price of \u20ac1,380,390, the Ch\u00e2teau was able to acquire this exceptional painting thanks to the generosity of corporate patrons, as well as the Heritage Fund of the French Ministry of Culture.<\/strong><\/p>\n

This is how, after having been separated for three and a half centuries, the three paintings on copper by Albano were finally reunited.<\/strong><\/p>\n

The Ch\u00e2teau de Fontainebleau extends its warmest thanks to the companies that contributed to its acquisition.<\/strong><\/p>\n

PATRONS<\/strong>
Cr\u00e9dit Agricole Brie Picardie
Redex
Oxym\u00e9tal
Aurignac Finance<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Discover the other completed projects...<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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<\/div>
Napoleon III's Study<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
The Turkish Boudoir<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
The Horseshoe staircase<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
The Collection of Pendulum Clocks<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
The Yellow Salon<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
Room for the Empress' Ladies-in-waiting<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
A collection of French Empire porcelain<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
Salon des Oiseaux<\/div>
Click here<\/div><\/div><\/a><\/div>
<\/div>
The Imperial Theatre<\/div>

Sheikh Khalifa bin Zayed Al Nahyan Theatre<\/p>\n<\/div>

Click here<\/div><\/div><\/a><\/div>\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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These two works of exceptional quality were painted by Albano for Jacques Le Veneur, Count of Carrouges, a French art connoisseur who was a close friend of the artist and godfather to his second son in Bologna, in 1625. At the death of Jacques Le Veneur in 1653, the three paintings by Albano appeared in […]<\/p>\n","protected":false},"author":19,"featured_media":4289,"parent":13199,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[300],"tags":[],"class_list":["post-16243","page","type-page","status-publish","has-post-thumbnail","hentry","category-magazine"],"acf":[],"yoast_head":"\nAllegory of Water, a masterpiece by Albano | Ch\u00e2teau de Fontainebleau<\/title>\n<meta name=\"description\" content=\"The Ch\u00e2teau de Fontainebleau holds two paintings on copper in its collections by Francesco Albani, known as Albano (Bologna, 1578-1660), Cybele and the Seasons, or Allegory of the Earth, and Apollo and Mercury, or Allegory of Air, both loaned by the Louvre Museum in 1875.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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